22.10.09

Grocery Store Musical







Song by Anthony King and Scott Brown (
Gutenberg! The Musical!)

For our latest mission, six undercover actors burst into song in a grocery store in Queens. Three minutes and lots of silly choreography later, they returned to their roles as shoppers and stock boys. The mission was filmed with hidden robotic, lipstick, and wearable cameras. Enjoy the video first and then go behind the scenes with our report below.
We had a couple of really excellent hidden camera reaction interviews that got cut from the final video. I put them together in an outtake video:








Produced by: Disposable Television
Director of Photography: TV Boy
Still Photos: Katie Sokoler
We’ve been wanting to stage a follow up to our Food Court Musical mission for quite some time. Unfortunately, we’re not able to produce a musical like that without some serious help in the budget department. (Food Court Musical was produced for a TV pilot.) Last month Trident Layers expressed interest in sponsoring an Improv Everywhere event (giving us creative control and using no product placement), and I knew this would be a great opportunity to create a new public musical.




Agent Brown rehearses with Agents Kayne and Rustin



I knew from the start that in order to make a worthy follow up to Food Court Musical, I would have to use the same songwriting team, Scott Brown & Anthony King. Not only are they longtime Improv Everywhere Agents, they’re also the authors of the hit Off-Broadway musical, Gutenberg! The Musical!. Their songs, both catchy and hilarious, have been stuck in my head for many a sleepless night.




The cast rehearsing



The cast were all actors I knew from the Upright Citizens Brigade Theatre. We had to cast people who could really sing well, given the “slow jam” nature of the song. We had a rehearsal at a Manhattan studio where Agent Brown taught them the song, and Agent King worked on the choreography.




Rehearsing in the store



The next night we had a rehearsal in the grocery store itself. The store was part of a small chain called “Best Yet” and was located in Astoria, Queens. We chose it for its enormous size, at least by New York standards.


















Our rehearsal was late at night, right before the store closed. There were very few people shopping at that hour, so we wouldn’t get a real sense of how crowded the produce section would be until the actual mission the next day. We worked with the store and got permission, enabling us to set up hidden cameras. We used some incredible robotic cameras that were operated via joystick in the control room in the back.




The control room







Speakers



We had planned to just use the store’s PA system to play the song. At the dress rehearsal we learned that grocery store speakers sound awful when the volume gets cranked up. The bass turned to fuzz. So we hid some additional speakers under the muffin table to give their system a boost.






In addition to the robotic cameras hidden on high ledges and in security domes, Agent Adams had a couple of camera rigs he could control out on the floor. We put a lipstick camera on the end of a cart and filled it with groceries. He was able to push it around the area while watching what he was filming on a little monitor.






Agent Adams also had a hidden camera in the strap of his bag, getting a great POV shot of anyone he talked to.






His main job was to get reactions from shoppers after the musical ended. He wore a hidden microphone and also wore an earpiece, enabling me to talk to him from the control room and say things like, “Try to get the woman you’re talking to to turn around; we’re only seeing the back of her head.”




Control room monitor



We staged the mission a few times throughout the day to make sure we got the best possible take and camera coverage. The first take started around 1 PM.






The first few moments were always hilarious. As soon as Agent Kayne started in with his “No, no, no’s,” heads began to turn.






When we did Food Court Musical, we had a pretty good idea of where our audience would be– sitting at the tables. This was more unpredictable. We had all of this choreography planned, but we had no idea if people would make way for us. The area got increasingly crowded as the day went on, which made it all the more fun. Often people found themselves right in the middle of the show.










A woman laughs as Agent Johnson passes with his basket















The woman above took her cart right through the center just as the chorus began. It was like she was a part of the choreography.






Agent Scott’s character was pregnant; she was not. We used a fake belly. She had shoppers coming up to her before and after the song asking when she was due, etc.




Agent Fernandez helps a customer find an item from the circular



Agents Brown and Fernandez played the two stock boy characters. This meant they spent most of the day walking around the floor in the store’s uniform. Of course they were constantly being stopped by customers asking for help.






Our musical was staged very close to the front door, so lots of folks would walk in mid-song. It was fun to see their reactions as they entered and were immediately confronted by our ridiculousness. We got so many wonderful reactions from everyone in the store throughout the afternoon. Queens is the most diverse county in the entire world, and it was really wonderful seeing all of the different types of people laugh and smile.
















Letting a friend on the phone listen in

























This guy was particularly excited (as seen in the video)













There was always a nice crowd near the registers looking over



The musical got even more absurd when Agent Brown carted Agent Fernandez down the aisle. Agent Fernandez delivered his passionate speech into a price gun, and the two starting spinning while the rest of the cast circled them, building up to the finale.


















Before the shoppers could finish applauding, our actors were back to normal life. Those playing customers went back to shopping and those playing stock boys got back to work.




Agent Brown prices some fruit



Mission Accomplished
Via

Moms… you grill them and Bepanthen/ Bayer heals them





” Heals their burns and your guilt, fast” Is a typical result when creative allowed expressing how they really feel about children.
It’s a big fall down made by JWT Cairo, Egypt and approved by Bepanthen/ Bayer.





Conclusion thought:
There is a thick line between Offensiveity / insensitivity and creativity


Credits: 
Advertising Agency: JWT Cairo, Egypt
Creative Director / Copywriter: Hesham Ellabban
Art Director / Illustrator: Asmaa Yehia

Playstation 3 Slim EGG [case study]



19.10.09

Best farewell email ever.





Recovery is still some ways down the road, Cross–Industry Research Report

TrendsSpotting.com finding says, consumer’s confidence still low, consumers taking extra caution before buying into media and political reports.
TrendsSpotting has captured the consumers’ shopping behavior indications for 2009: Food & Drinks Media & Automobiles Education Communications Recession Trends
1.     
  1. Food Consumption of consumers eat dinner at home more often 56% than before the downturn & nearly the same percentage are eating dinner less often at restaurants. More than one-third (37%) of consumers surveyed report going to bars or clubs less often.
  2. Buying Habits • A greater tendency to buy larger package sizes (42%) • Buying more U.S. products (28%) • Purchasing more locally made products (25%) • Known products (23%) versus experimenting with new ones • Private label food (7.4% increase in sales).
  3. Restaurant Traffic 2.6% Decline in total US restaurant industry traffic for 09 spring quarter versus the same quarter last year
  4. Restaurant Traffic Household with kids, cut back their visits to all segments of restaurants • Over 50% of industry’s decline traced to fewer supper visits from parties with kids. • Traffic was down 2% at quick service restaurants. • Casual dining declined 4% and midscale was down 6%.
  5. Coffee Purchase 83% of American consumers drink coffee more at home ( up 5 points from a year ago). Coffee consumption pattern did not change as 54% drink coffee daily.
  6. Alcohol 50% of American consumers are actively seeking out best deals. 24% of wine consumers choose less expensive drinks. One third of beer, wine and spirits consumers order fewer drinks.
  7. Pet Foods And Veterinary Services 22% of American put a high priority on pets compared to Canadians (17%), French (15%) and Italians (12%). The pet industry is expected to generate $51.6 billion this year - 1.3% more than in 2008.
  8. Home Broadband home broadband adoption, is up from 55% in 2008. 63% 34% of home broadband users said they subscribed to a service that gave them faster access speeds, an increase from 29% in 2008. A growing share of broadband subscribers pay for premium service that gives them faster speeds. . They are also paying more for the extra speed than they did a year ago .
  9. Cell Phone Services of cell phone users (19% of all adults) report that in 22% the past year they have cancelled or cut back cell phone service. Cell phone users are economizing on service plans.85% of adults report to have cell phone service, up from 77% at the end of 2007.
  10. Smart phone ownership continues to rise, with 37% of respondents now reporting they own a smart phone. 14.4% say they plan on buying a smart phone in the next 90 days, the highest percentage ever recorded in a ChangeWave survey.
  11. Cable TV Services 22% of US adults have cancelled or cut back cable TV service in the last year. More than a quarter of consumers plan to reduce or cancel their satellite or cable TV subscriptions, according to the research, up from 15% six months ago.
  12.  Video Games Drop to $863 million in video games sales were registered in May from the same period a year ago. 23% Sales of hardware (consoles and hand-held devices) dropped 30% while sales of software fell 17%, to $449 million. In June - domestic retail sales of hardware and software fell 31% - the largest monthly drop since September 2000.
  13. Americans' dependence on the 20% family car remains strong (88% rate an automobile as a necessity) - 2009 auto sales are expected to decline by 20.5 percent, or 10.5 million vehicles.
  14. Hybrid Cars On February 2009, only 15,144 hybrids sold nationwide, down almost two-thirds from April 08, when the segment's sales peaked and gas averaged $3.57 a gallon.
  15.  Education Planning of high school guidance counselors saw an increase 71% in the number of students who this year chose less- expensive colleges over their "dream school."
  16. About the report: Food & Drinks Media & Automobiles Education Communications 50 pages detailed report across 8 industries Over 50 consumer studies and web metric trends analyses

Conclusions: TrendsSpotting finds that contrary to some optimistic public statements, for the majority of industries, recovery is still some ways down the road. After initially cutting back across the board, consumers have reassessed their personal situation and begun to employ a new set of priorities. They are checking out private labels and, if found satisfying, they will become loyal to them. Consumers aren’t sacrificing electronics, but are reconsidering their options. Recovery will bring a new age of consumers, much more aware of their expenses and their priorities. Consumers will not revert to their previous habits as those were proven to be unsound. Recovery will come from markets matching consumers’ new priorities.


John Gerzema says there's an upside to the recent financial crisis -- the opportunity for positive change. Speaking at TEDxKC, he identifies four major cultural shifts driving new consumer behavior and shows how businesses are evolving to connect with thoughtful spending.


18.10.09

Volkswagen:::Polo film festival



Car manufacturers are always looking for new ways to appeal to the female market and Volkswagen is no exception. To coincide with the launch of its new VW Polo, Volkswagen is holding a classic film screening specifically designed to lure women into its showrooms.
Polo’s Timeless Film Festival will see a classic chick-flick being brought back to the silver screen. The multi platform campaign incorporating radio, direct mail, POS, local press, email and, of course, cinema is Volkswagen’s most expensive to date, with total spend being put at £1 million mark.
Initially, women are being driven to a dedicated website where they are encouraged to vote on which of the ten classic films listed they would like to see brought back to the cinema. Users can register to receive two free tickets to see the most popular film from the list at one of the 180 cinemas participating nationwide. Regular updates will be given as the screening approaches and VW Polo cardboard cut-outs will be placed in each cinema. An ad featuring legendary movie voice-over man, Redd Pepper, will also play in cinemas nationwide.

The campaign will culminate with the VW Polo Timeless Film Festival at the end of October.

BRAND: Volkswagen

BRAND OWNER: Volkswagen

CATEGORY: Automotive

REGION: UK

DATE: Oct 2009

AGENCY: DDB

MEDIA CHANNEL

Mobile or InternetCinema

Art Directors Club Cubes for 2009

The Art Directors Club announced the winners of the ADC 88th Annual Awards program at its Awards Gala, held at the ADC Gallery in New York on April 30, 2009. Cubes were presented for Advertising, Interactive, Design, Design Sphere, and Hybrid categories. ADC and Corbis collaborated to present the Corbis Creativity for Social Justice Award & Scholarship.
ADC Gold and Sivler cubes


Advertising

65 ADC Cubes were awarded (18 Gold, 21 Silver, 26 Bronze, 33 Merit). ADC Gold Cube Advertising winners in their respective categories were:
  • Anonymous Content, Culver City, CA, USA, broadcast TV and cinema, television production/service promotion, “Next Level” for Nike
  • BBDO/Proximity, Kuala Lumpur, Malaysia, newspaper, consumer, product/service promotion, campaign, “Two Worlds” for Chrysler Korea
  • Crispin Porter + Bogusky, Boulder. CO, USA, integrated advertising, campaign, “Whopper Virgins” for Burger King
  • Goodby, Silverstein & Partners, San Francisco, CA, USA, integrated advertising, campaign, “HD Loves HB” for Haagen Dazs
  • Gorgeous Enterprises Ltd, London, UK, broadcast TV and cinema, online commercial/webisode, “Awareness Test” for TFL
  • Grabarz & Partners Werbeagentur GmbH, Hamburg, Germany, broadcast TV and cinema, television product/service promotion, “Parking” for Volkswagen AG
  • Jung von Matt AG, Berlin, Germany, advertising posters and billboards, electronic billboard, “Eye Tracking” for Amnesty International
  • JWT, New York, NY, USA, broadcast TV and cinema, television product/service promotion, “Swedish Fish Cat Sandwich” for Cadbury-Adams
  • Leo Burnett, London, UK, broadcast TV and cinema, television public service/non-profit,“House of Cards” for Shelter
  • Leo Burnett, London, UK, broadcast craft, special effects, “House of Cards” for Shelter
  • Modernista!, Boston, MA, USA, collateral advertising, direct mail, “Fragile” for Crown Relocations
  • Ogilvy & Mather Werbeagentur GmbH, Frankfurt, Germany, collateral advertising, guerrilla/unconventional, “Bigger Storage Ideas” for IKEA Germany
  • Saatchi & Saatchi, New York, NY, USA, broadcast TV and cinema, television product/service promotion, “Bulldozer” for Crest
  • Saatchi & Saatchi, New York, NY, USA, broadcast radio, product/service promotion, “Marathons” for StuffIt Deluxe
  • Saatchi & Saatchi, New York, NY, USA, broadcast radio, product/service promotion, campaign, “Compression Radio” for StuffIt Deluxe
  • Saatchi & Saatchi, New York, NY, USA, advertising posters and billboards, promotional, campaign, “Through Your Veins” for Cheerios
  • Station Films, New York, NY, USA, broadcast craft, direction, campaign, “Crest” for Crest
  • Young & Rubicam, Boulogne-Billancourt, France, advertising posters and billboards, outdoor/billboard, campaign, “Nova ‘Le Grand Mix’ ” for Nova Radio

Interactive

25 ADC Cubes were awarded (4 Gold, 9 Silver, 12 Bronze, 11 Merit). ADC Gold Cube Interactive winners in their respective categories were:
  • argonauten G2 GmbH, Berlin, Germany, new media innovation and development, product/service promotion, “Digital Concert Hall” for Berliner Philharmoniker
  • Crispin Porter + Bogusky, Boulder, CO, USA, web applications/downloads, product/service promotion, “Whopper Sacrifice” for Burger King
  • Hyper Island, Stockholm, Sweden, new media innovation and development, product/service promotion, student entry, “DigiTic” for Skara Sommarland
  • POKE, London, UK, new media innovation and development, product/service promotion, “Orange ‘Balloonacy’ ” for Orange

Design

103 ADC Cubes were awarded (29 Gold, 36 Silver, 38 Bronze, 29 Merit). ADC Gold Cube Design winners in their respective categories were:
  • Alt Group Ltd., Auckland, New Zealand, corporate and promotional design, corporate identity program, series, “Hudson Gavin Martin” for Hudson Gavin Martin
  • Aperture Foundation, New York, NY, USA, photo, book, “The Transparent City” for Aperture Foundation
  • Art Center College of Design, Pasadena, CA, USA, poster design, promotional, series, student, “Vive Latino” for Art Center College of Design
  • ART+COM, Berlin, Germany, environmental design, gallery/museum exhibit or installation, series, “The ‘Kinetic Sculpture’ for the BMW Museum, Munich” for BMW Group
  • BBDO, New York, NY, USA, poster design, electronic billboard, series, “ ‘Big Love’ Mural Campaign” for HBO/”Big Love”
  • Dentsu, Tokyo, Japan, package design, food/beverage, series, “NEWSPAPER to NEW PAPER project” for Ichida Garden
  • Hachette Book Group, New York, NY, USA, book design, book jacket, “Columbine” for Hachette Book Group
  • Leo Burnett, London, UK, TV and cinema design, art direction, series, “Tales of the Road” for Department of Transport
  • Mainstudio, Amsterdam, The Netherlands, editorial design, consumer magazine full issue, “Mark Magazine – Another Architecture” for Mark Publishers
  • MARK, Manchester, UK, poster design, promotional, series, “Manchester Comedy Festival 08” for The Comedy Store
  • Marmalade, Melbourne, Australia, TV and cinema design, art direction, “License Town” for VicRoads
  • New York Magazine, New York, NY, USA, editorial design, consumer magazine cover, “Brain” for new York Magazine
  • Ogilvy & Mather Werbeagentur GmbH, Frankfurt, Germany, environmental design, environment, series, “Bigger Store Ideas” for IKEA Germany
  • Ogilvy & Mather Werbeagentur GmbH, Frankfurt, Germany, environmental design, environment, series, “Begging Sculptures” for German Foundation of Monument Protection
  • Pentagram Design, New York, NY, USA, corporate and promotional design, corporate identity program, series, “Museum of Arts and Design (MAD) Identity Design” for Museum of Arts and Design (MAD)
  • Rightning, Inc., Tokyo, Japan, product design, electronics, appliances, house wares, etc., “GRiD TAG” for Rightning, Inc.
  • School of Visual Arts, Livingston, NJ, USA, TV and cinema design, TV identities, openings, teasers, student, “Rothko at Tate Modern” for Tate Modern
  • Shimada Design Inc., Miyakojima-ku, Osaka, Japan, book design, museum, gallery or library book, “Less and More: The Design Ethos of Dieter Rams” for Suntry Museum
  • Shimada Design Inc., Miyakojima-ku, Osaka, Japan, poster design, promotional, series, “Less and More: The Design Ethos of Dieter Rams” for Suntry Museum
  • T-The New York Times Style Magazine, New York, NY, USA, editorial design, consumer magazine self-promotion, series, “T Pages” for T-The New York Times Style Magazine
  • Taku Satoh Design Office Inc., Tokyo, Japan, package design, fashion/apparel/wearable, “PLEATS PLEASE limited box” for ISSEY MIYAKI INC.
  • The New York Times Magazine, New York, NY, USA, photo, magazine editorial, series, “My Game Face” for The New York Times Magazine
  • Turner Duckworth: London & San Francisco, San Francisco, CA, USA, package design, food/beverage, “Coca-Cola Aluminum Bottle” for The Coca-Cola Company
  • University of Applied Sciences Darmstadt, Faculty of Design, Darmstadt, Germany, book design, public service/non-profit book, student, “Farben on Demand” for University of Applied Sciences, Darmstadt
  • University of Illinois at Chicago, Chicago, IL, USA, book design, limited edition, private press or special book format, student, “Designing a typeface for the Chicago 2016 Olympic Games” for Thesis Project
  • Wired Magazine, San Francisco, CA, USA, editorial design, consumer magazine self-promotion, “Screw Organic” for Conde Nast/WIRED
  • Wired Magazine, San Francisco, CA, USA, editorial design, consumer magazine self-promotion, “Feed the World” for Conde Nast/WIRED
  • Zoo Film Productions, Los Angeles, CA, USA, TV and cinema design, music video,“Radiohead ‘House of Cards’ ” for TBD Records

ADC Design Sphere

Now in its second year, ADC Design Sphere honors a comprehensive and sustained program of design, by a single design firm for a single client. This category recognizes those who set the standard for excellence in consistent, innovative and relevant design communications for a period of 3-10 years and/or beyond. This year’s ADC Design Sphere Cube goes to Pentagram Design, New York, USA, “The Public Theater” for The Public Theater. The client also receives an ADC Design Sphere Cube.

ADC Hybrid

The ADC Hybrid category honors the year’s most game-changing, innovative and inspiring work, and the most relevant, entertaining, engaging brand experiences and advertising solutions. This year’s ADC Hybrid Cube winners are:

  • 42 Entertainment, LLC, Pasadena, CA, USA, “Why So Serious? The Dark Knight Alternate Reality Experience” for Warner Bros Worldwide Marketing



  • Crispin Porter + Bogusky, Boulder, CO, USA, “Whopper Sacrifice” for Burger King



  • Johannes Leonardo LLC, New York, NY USA, “Right Boot Store” for Nomis


  • Corbis Creativity for Social Justice Award & Scholarship

    Now in its third year, the Corbis Creativity for Social Justice Award & Scholarship is presented in two categories: professional (for professional work entered in any public service/non-profit/education category created on a pro bono basis to benefit those in need) and student (student work created for an existing non-profit organization.) The scholarship is presented byCorbisand the awards are presented by ADC.
    This year’s Corbis Creativity for Social Justice Award & Scholarship go to:

  • Ogilvy & Mather Werbeagentur GmbH, Frankfurt, Germany, environmental design, environment, series, “Begging Sculptures” for German Foundation of Monument Protection



  • Designmatters at Art Center College of Design, Pasadena, CA, USA, corporate/institutional, annual reports, brochures, etc., “Images Speak – The Mpala Health Education Projects” for Designmatters at Art Center College of Design and Mpala.


  • As part of the award, Corbis presents a $10,000 cash prize to the German Foundation of Monument Protection. The five Art Center College of Design students responsible for their winning entry – Sara Hofmann, Rawn Trinidad, Melissa Galaviz Rocamora, Andrew Behr and Ching Ching Cheng – receive a $2,500 scholarship from Corbis for the top student entry created for an existing non-profit organization.

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