Pfizer launched a new web site and introduced a revision to its 18-year-old oval logo, which was designed in 1991 by Enterprise IG (now The Brand Union). The new logo and comprehensive identity program has been designed by Siegel+Gale.
The new logo features redrawn typography, a color gradient and a tilted oval.
Siegel+Gale presented various redesigns to Pfizer but ultimately the decision was made to not stray far from the existing logo.
The new logo is a great improvement on the old one. Instead of a semi serif, the new typography is a sans serif which makes it feel more contemporary. The italic "e" that adds a lot of softness to the mark. The "z" is a little wobbly on its diagonal line but it works. And, overall, I like that there is less contrast between the thick and the thins, so the logo will hold up better when sized down on the back of a medicine box. The gradient… I guess, why not. I'm not a fan, and as the 1-color logos above show, it's not necessary. I also like the tilted oval, it's less symmetric and adds a bit of movement.
New identity applications
Siegel+Gale has put together a kit that allows Pfizer to deploy a variety of looks and messages. The first element is a dot typeface used for display purposes; it's nothing too fancy, but in the context of Big Pharma it's pretty out there. Following the dot appliqué is a set of moody illustrations that are at once scientific and playful. Add in a vibrant color palette and you have a recipe for real potential as the applications below — which are proof-of-concept and not final executions — demonstrate. With a few more hours of development the two designs underneath and to the right (green and pink backgrounds) would make Lester Beall and Ladislav Sutnar proud. This is not an easy project and the result is as uplifting as Pfizer's magic blue pills.
The "Pfizer oval" was introduced in 1991. Over time, a great deal of equity was built in that logo, and it is widely recognized around the world. But today, Pfizer is a different company. It's changed through global growth, numerous acquisitions, entry into new therapeutic areas, and development of life-changing medicines. The new logo keeps much of the existing equity, but with the brightened color, approachable typeface, and tilted oval it signals positive change and forward momentum and asks people to take a fresh look at Pfizer because it is not the same company it was in 1991.
In addition to an updated logo, their new visual system also helps to signify this shift. The new dotted display typeface, illustration style, and bright multi-color palette work to communicate their larger vision of advancing better health for all people around the world.
— From Siegel+Gale
The new logo features redrawn typography, a color gradient and a tilted oval.
Siegel+Gale presented various redesigns to Pfizer but ultimately the decision was made to not stray far from the existing logo.
The new logo is a great improvement on the old one. Instead of a semi serif, the new typography is a sans serif which makes it feel more contemporary. The italic "e" that adds a lot of softness to the mark. The "z" is a little wobbly on its diagonal line but it works. And, overall, I like that there is less contrast between the thick and the thins, so the logo will hold up better when sized down on the back of a medicine box. The gradient… I guess, why not. I'm not a fan, and as the 1-color logos above show, it's not necessary. I also like the tilted oval, it's less symmetric and adds a bit of movement.
New identity applications
Siegel+Gale has put together a kit that allows Pfizer to deploy a variety of looks and messages. The first element is a dot typeface used for display purposes; it's nothing too fancy, but in the context of Big Pharma it's pretty out there. Following the dot appliqué is a set of moody illustrations that are at once scientific and playful. Add in a vibrant color palette and you have a recipe for real potential as the applications below — which are proof-of-concept and not final executions — demonstrate. With a few more hours of development the two designs underneath and to the right (green and pink backgrounds) would make Lester Beall and Ladislav Sutnar proud. This is not an easy project and the result is as uplifting as Pfizer's magic blue pills.